From his opening Questa o quella, he exuded vocal confidence, every note coming through crystal clear, every phrase elegantly thrown off, emphasizing the carefree nature of the Duke. And when she exited the Dukes room, she moved about the space slowly, her eyes downcast, searching for a place to be alone. Its virtually been in and out of the stage throughout the years, but I stopped attending it over the past few years (I hadnt seen the opera at the Met since before the launch of OperaWire in late 2016). ****1 A fine showing for the 1884 Italian version of Don Carloat the Met Robert Levine, 9th November But the finest singing of the evening came from Benjamin Bernheim, making his long-overdue Met debut. From her feverish rushing down the stairs to greet her father, you could sense a character full of energy and aspiration. Rigoletto (Verdi) The Abduction from the Seraglio (Mozart) The Merry Wives of Windsor (Nicolai) La bohme (Puccini) 1993-1994 Season. The company noted that Erin Morley will sing the role of Gilda on May 28 through June 11 replacing the originally announced Kristina Mkhitaryan, who has withdrawn from the production. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States l. Written during the most fertile period of Verdis artistic life, the opera resonates with a universality that is frequently called Shakespearean. Other appearances include Sibel in Faust at Covent Garden, Bradamante in Alcina in Zurich, and Malcolm in La Donna del Lago at Pesaros Rossini Opera Festival. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. Skylark Opera Theatre returns to stage this Spring with the regional premiere of Jake Heggie's Three Decembers. I've never heard a Gilda so convincingly sound like she is at death's door. The ensuing cabaletta Possente amor mi chiama presented the tenor with an opportunity to expand on the brightness and lush sound of his opening Questa o quella, and he fully delivered on that, projecting powerfully into the auditorium. And, because of how extreme these tempi were, a lot of the rich orchestral details felt underplayed or ignored. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. Despite some strange costuming, she did her utmost to provide intricate characterization and development. Francesco Maria Piave (181076), Verdis librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbeth and Simon Boccanegra. GREAT PERFORMANCES AT THE MET "Rigoletto" premieres Friday, June 17 on PBS as part of #PBSForTheArts. Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua. That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. When Giovanna opened the door for her, she rushed out with tremendous excitement and you could feel the relief as she stepped outside into freedom, her arms spread wide to receive it; it was a truly visceral moment to behold. Rigoletto returns in the spring for five performances May 28June 11, 2022. Verdi's Rigoletto. She has also sung Gilda at the Bavarian State Opera, Lyric Opera of Chicago, Ravenna Festival, and in Rome, Zurich, Turin, and Savona. His initial recitativo was colored by bitterness with the ensuing smoothness of his legato on E dove ora sar quellangiol caro? transitioning into a warmer timbre that hinted at his longing for Gilda. Lisette has given 68 performances as Gilda. Elsewhere this season, he sings Sarastro at the Vienna State Opera. It was one of the finest pieces of staging throughout the night and Feolas commitment was what truly made it work. Armenian mezzo-soprano Varduhi Abrahamyan makes her Met debut as Maddalena. She recently made her debut at Covent Garden as Micala in Carmen. The most egregious circumstance however was a more subtle one. That said, this is a step up from the Las Vegas episode. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . SAS Performing Arts Concert Opera presents the only New York City performance of the Puccini work Il Trittico. Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. In a recent interview with OperaWire, composer Lori Laitman noted that Verdis Rigoletto was among her favorite operas. His recent Verdi roles elsewhere include Miller in Luisa Miller at Lyric Opera of Chicago, Ford in Falstaff at the Dallas Opera, and Rigoletto in Zurich. While she got off to a promising start during that Preludio, the string tremolos surging forward toward the fortissimo orchestral explosions, things started to get a bit hairy once the singers took the stage. Production title: Rigoletto - The Metropolitan Opera (2021-2022) Creation date: 02/06/2019 Work - Composer: Rigoletto - Giuseppe Verdi Opera house: The Metropolitan Opera. From there his voice grew even more tender, each ensuing phrase a caress as he reached out toward his hurting daughter. And suddenly our attention shifts away from Rigolettos truly private and essential CHARACTER moment, to something else. New York, NY (February 23, 2022)The Metropolitan Opera today announced its 2022-23 season, which features seven new productions, the most in ten seasons.Opening Night is September 27 with the company premiere of Cherubini's Medea, starring soprano Sondra Radvanovsky in the title role alongside tenor Matthew Polenzani in David McVicar's new staging, conducted by Carlo Rizzi. We are doing maintenance on the website until approximately 1 am ET Friday, February 10. Genre: Opera. His other recent performances include Cavaradossi in Tosca at the Vienna State Opera, des Grieux in Manon in Zurich, and Rodolfo in Luisa Miller at Gran Teatre del Liceu in Barcelona. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. And while that is true, the turntable also becomes a distraction here at some key dramatic moments. 2022-23 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles Synopses Runtime: 210 min. And so we come to the end. Caro nome was a bit of a mixed bag for Feola. Please check if you entered the email address correctly. Throughout Feola opted for a more connected vocal line, with the opening melodys (which starts, essentially, with a descending E major scale) eighth rests less pronounced. If her high E flat at the end of act two was a touch effortful, she more than made up for it with some ravishingly soft singing in the final scene. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). Throughout the night it seemed that Scappucci was operating on extremes in terms of tempi. But her experience as an operatic conductor was in full evidence, shading the orchestra and stretching the tempo like a true master. Metropolitan Opera House, . 133 subscribers The 2022 Metropolitan Opera production of Giuseppi Verdi's Rigoletto was incredible to watch. In Act three, the tenor took things up a notch, delivering a spotless rendition of La Donna mobile, each note of the dotted rhythm clear and articulated with vibrant sound. She readily negotiates the coloratura of the first act, culminating in a delectable Caro nome, but it's in the latter acts that she truly shines. Solo per me linfamia, instead of bitter and reproachful, sounded sorrowful and hurt in its approach. ) right before the final duet was almost howled, its effect spine-chilling. by Stephi Wild Oct. 25, 2022. She is directing the pace and motion of the drama to what she feels is most appropriate. She brought a seemingly endless supply of energy to the evening, with swift tempi and impressively monolithic brass. His role in Italys cultural and political development has made him an icon in his native country. adesso non ridete? was heavily accented, allowing Kelsey to really express Rigolettos fury. On the repeat of the melody, she spun a similarly delicate legato line, her high B flats fluid and sparkling. #PBSForTheArts is a multiplatform campaign that celebrates the arts in America. She performs regularly at the Moscow Easter Festival, St. Petersburgs Stars of the White Nights Festival, and has also appeared at the Edinburgh and Verbier Festivals. {{::date | momentFormat:'D'}}{{$last ? '' mia Gilda was spoken, the effect expressing how empty Rigoletto feels in this moment. On Dec. 31, the Metropolitan Opera opened a new production of "Rigoletto." It was the first time since 2013 that the company was showcasing a new staging of Verdi's masterpiece and it was a departure from the Las Vegas set. Cortigiani had its tempo issues and they seemed to overwhelm early on, but he still managed to make the most of the situation, his voice powerful and present, emphasizing Rigolettos anger. (Who struck you? During Pari siamo, Kelsey revealed the wide-ranging gamut of colors at his disposal. Despite her frumpy costume, she's ideal for the role, clearly having the time of her life vamping around the stage. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. and purity of tone. American tenor Stephen Costello reprises his portrayal of the Duke of Mantua, a role he previously performed in 2015 at the Met. For up-to-date casting go back to the previous page. Rigoletto Worldwide Broadcasts in Cinema, Radio, and Online. A new 'guide' can help. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet's father. At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. What they presented as soprano is actually coloratura, which is the very highest voice type, up there in the range of the very highest choral descants. And then there was Quinn Kelsey. She has designed for opera houses around the world, including English National Opera, Washington National Opera, San Francisco Opera, and the Salzburg Festival. Taking in the work on Monday, Nov. 14, 2022 for the first time in years, her words resonated rather deeply with me. The restatement of the main melody was delivered with an even more intimate and sensual piano. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. Baritone Quinn Kelsey portrays the title role at the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczaa as the Duke of Mantua. As Maddalena, Mezzo-soprano Aigul Akhmetshina displayed a plush and punchy sound that matched perfectly with bass John Relyea throughout the trio. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. O gioia! You could feel the excitement of this crescendo, exploding with vibrant sound on O gioia and then once again a few bars later on Allonda!. The Metropolitan Opera: Rigoletto (2022) movie cast and actor biographies. Rigoletto, a cursed court jester of the lustful Duke of Mantua, obsessively protects his daughter, Gilda. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. He captures the insouciant elegance of the opening scene, with neatly executed turns in Questa o quella, as well as he does the bravado swagger of the final act. Moreover, he started closing in on the other men around him, almost as if ready to strike them. Even when she rejected him, he continued searching for her, his repetition of the piangi melody even more lush than before. Audio from the December 31, 2021, as well as the January 4, 19, and June 8, 2022, performances will be streamed live on the Mets website, metopera.org. 2022-23 Season 2023-24 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then Don Carlo with the company, and hes arguably in even finer form here as the deadly assassin. Karel Mark Chichon conducts. This was a performance to remember from Kelsey, who drew you in with a truly immersive and powerful characterization. Verdi doesnt waste a moment and every single note in the piece plays a crucial role in building its tension and tragedy. Then theres some bizarre choices like the sudden abstraction during the Act three trio where the lights go red inside the inn and Gilda has a seeming out of body experience? Karel Mark Chichon conducts. In May 2017, he was appointed chief conductor and artistic director of the Orquesta Filarmnica de Gran Canaria and was the chief conductor of the Deutsche Radio Philharmonie from 2011 to 2017. Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. Met Opera | April 15, 2023. Speranza Scappucci conducts Bartlett Sher's production. and the castwhich includes eljko Lui, Diana Damrau, Piotr Beczala . Note for note, moment for moment, this without any doubt in my mind is the most compelling Rigoletto that Ive heard at the Met in a decade. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Pretty but Pointless. This video really should have had a fourth example, though. Curated conversation and digital shorts are also available on PBS social media platforms using #PBSForTheArts. David holds a Masters in Media Management from Fordham University. American baritone Quinn Kelsey returns to the Met this season, making his company role debut in the title role of Rigoletto. Cast: Joseph Paur,Frank Gerrish,Ivey Lloyd . The production of Verdi's final opera will star Mark Delavan as Sir John Falstaff, Brian Major as Ford, Rachel Blaustein as Nannetta, Mary Feminear as Alice Ford, Allegra De Vita as Meg Page, Catherine Martin as Mistress Quickly, Yi Li as Fenton, Mauricio Miranda as Dr. Caius, Joseph Michael Brent as Bardolfo, and Andrea Silvestri as Pistola. duna tal vittoria, che? A second run of performances in the spring features baritone Ludovic Tezier, soprano Kristina Mkhitaryan, and tenor Stephen Costello, conducted by Karel Mark Chichon. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. American conductor Karen Kamensek is currently leading Philip Glass's Akhnaten at the Met, the production she made her company debut with in 2019. She played up her flirtation with the Duke throughout the quartet and then provided assertiveness throughout the trio. Instead, Feolas has greater weight and heft, especially in the middle range where she has brightness but also potency that cuts through. As he crescendoed into Mora! you could feel the pain and anger wrapped into one. 2022 | 13:00 Rigoletto, Verdi, Mezzo-soprano Isabel Leonard hosts. This first came into prominence during the operas big concertato moment, Ah, siempre tu spingi lo scherzo allestremo where the tempo ramped up to chaotic effect for the singers; it took them a few bars to find themselves back in synch with the conductor. GREAT PERFORMANCES is on Facebook+ follow @GPerfPBS on Twitter. Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. The mezzo-soprano Aigul Akhmetshina is making her debut in the role of Maddalena. Jen is a web producer at KPBS, responsible for program promotion, online membership-related activities, and is the editor of the KPBS community calendar. The moment the Duke started his Bella figlia dellamore, Feolas expression shifted she had heard those same words and suddenly she was curious to see what was happening. Recently, he performed Sarastro in Die Zauberflte in Cologne, Philip II in excerpts of Don Carlo at Deutsche Oper Berlin, and Osmin in Die Entfhrung aus dem Serail at the Hamburg State Opera. And while Feola also delivered well on the higher lines throughout the Vendetta duet, the quartet, and trio (a tough task for all three singers as mentioned), the final duet was another moment of sublime singing from the soprano.Lass in ciel was delivered with the utmost delicacy of sound, each note angelic in its purity. While the soprano was at her best during the delicate opening lines of the piece, her piano singing almost parlato in its effect and generating a powerful intimacy between audience and performer. The two visibly reveled in the sensuality of the cadenza, their voices navigating the lines seamlessly. British costume designer Catherine Zuber has been designing for productions at the Met since her debut with Bartlett Shers staging of Il Barbiere di Siviglia in 2006. This next section, which also climaxes with a triplet sixteen run to a high A, was even more intense in its anguish, allowing her to end it on a aptly harsher vocalization for pi crudel. The rest of the duet was equally magical with Feolas softer singing matching Kelseys glorious piano sound, but the way she phrased these opening bars was so powerful in not only the emotional weight they carry in the dramatic moment, but in the care and precision with which Feola delivered them and the resulting emotional impact they produced. Presiding over the evening was Speranza Scappucci, also making an overdue debut. Mozart's Idomeneo. Its an intimate passage and one of Verdis most radical (at the time). In Act three, he retained this prickly vocal character, his low notes throughout the quartet dark and grainy, emphasizing Rigolettos resentment. When you have a tenor like this cast had, the choice is made that much more difficult. As Gilda, Rosa Feola had a solid night overall. It will help us make your newsletter content more useful. Italian bass Andrea Mastroni reprises his portrayal of Sparafucile, a role he has previously sung at the Met in 2017 and La Scala. The moment where this kind of tempo whiplash stood out more was right before Cortigiani, Rigolettos other big solo moment. That already tells the audience to shift its focus to whats about to happen. The Metropolitan Opera has announced that baritone Michael Chioldi will be taking on the lead role in Verdi's "Rigoletto." Chioldi will take over for Quinn Kelsey who debuted the new production by Bartlett Sher on New Year's Eve. camera operator Music Department Additional Crew Bartlett Sher . And like Laitman, it has always remained one of my favorites, exploring the damaging impact of a toxic patriarchal world where no man is without shame or blame (it was particularly striking this time around to realize that despite being a teenager, Gilda knows nothing of her familys past; her fathers attempt to lock his daughter away from the world seems to include keeping her own story and identity from her as well). The December 31 performance, as well as the January 4, 19, 29, and June 8, 2022, performances of Rigoletto will be broadcast live on Met Opera Radio on Sirius XM Channel 355. 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